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a
little label run by friends for friends web: www.ocio-sounds.com email (orders, inquiries, correspondence, etc.): ocioDOTsoundsATgmailDOTcom |
related
links!
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007 / macarthur park 002 7" (2010) shedding "instructions" ![]() |
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OCIO
006 / hometapes 006 lp/mp3 (tbd) shedding |
STORY: INFO: |
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OCIO
005 cdr (2008) espalda "thistense" |
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OCIO
004 cdr (2008) epstein y el cunjunto "juego de mano" |
STORY: gracias a kristi, mi familia, kiku and david, lmf, rrosas, mcrum, jtram, egg foo, jphilpot, simonjahbitat, tokaloca, amor a mmascotte y bcrum. ocio 004 |
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OCIO
003 / placetapes 003 cdr-ep (2007) shedding |
STORY: there was a series on locust records of processed field recordings which inspired the creation of this record. i also wanted to explore the nord modular i had recently gotten. looking back on it, the influence of mirror and their constituent parts along with nurse with wound is definitely there. since these songs were written i have discovered other artists this release may be in line with...monos, ora, organum. i think i have heard their kind of music described as environmental drone. i think that is a suitable brief description for this record as well. more drones on the way... INFO: 1. stobblecones 2. less than natural wash 3. barge crossing shedding is connor bell. these are field recordings of a flooded mississippi river processed primarily through a nord modular synthesizer in the summers of 2004 and 2005. for the processed versions please see autumn records' "leaves series" leaf010 photographs by connor bell . layout by tim furnish www.shedding.org . www.placetapes.com |
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OCIO
002 cdr (2007) epstein / shedding / sunless / quarantine |
STORY: artwork:
jed voltz www.monglo.com |
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STORY:
songs
1-7 roberto carlos lange |
review from uncommonfolk: Epstein and Boom & Birds is a mostly electronic project done by Roberto Lange with a little help from assorted friends. Recently his two bands, Epstein and Boom & Birds toured Japan and released a 100 copy limited edition record called the Japan Tour CD. The split album is made up of all unreleased material from both bands including a remix by Shedding and collaborations between Lange and Jason Trammell. Self-released on Lange’s OCIO label one may still be able to procure a copy of this beuatifully silver silk-screened, chipboard gatefold record. If not, available on Lange’s website are full Epstein, Boom & Birds and ROM albums which were released on various other labels. Lange’s work is heavily influenced by jazz, hip-hop, folk, electronic music and many other styles. It’s a beautiful mish-mash of sounds. Opening the album is the voice of Leadbelly which quickly goes into a more turntablist-sounding track. Sound experimentations, whether found or produced, also fill in the gaps of Lange’s records. Truly prolific, Lange uses modern electronic compositions and sampling to fuse the sounds as seemingly diverse as mellow jazz, psychadelic folk and prog-rock and contemporary hip hop. While arguably a departure from what Uncommon Folk usually covers, Lange’s talent and depth of musical history which he so aptly applies to new and future tenchniques can very well be considered a progression of folk. While hip hop is considered by many as the real “new folk” (and we aren’t talking Jay-Z here), Lange finds away to channel older sounds through hip hop beats, making highly accessible and at the same time highly experimental music. Any listener with an open mind who is into psychadelic music as a whole, and not just of the folk variety, needs to check out and trip to the compositions of Robert Lange and his bands Epstein and Boom & Birds. Big in Japan, as they say, and big all over the world, Lange’s records have been released on many diverse and foreign record labels such as Botanica del Jibaro which was founded on the following socio-political premise: “To break the walls of silence and bring the culture and struggle of Latin America forth via the universal language of hip hop.” While Uncommon Folk is unaware of his political ideology and does not mean to connect the person with the politics, Lange definitely breaks down the walls of silence, incorporating so many cultures and sounds that, whether folk or not, are important in what music can do to help raise awareness of those cultures and sounds to an international audience while attempting to find common ground on which to build a much better tomorrow. Though highly debated in historical circles, socialist Emma Goldman supposedly once said something to the effect that if you can’t dance to it then it isn’t my revolution. She obviously did not have hip hop in mind, but any revolution needs to not only incorporate the past but use the tools of the present. So, sit back and picture Emma Goldman dancing to break beats, have a chuckle and then act on the impulses of the music and the task at hand, the task Emma never saw accomplished. Thus ends the Sunday sermon: Socialismo o Muerte! |